Possessed Entity - Extermination Of Angelic Parasites (2016)
Band: Possessed Entity
Album: Extermination Of Angelic Parasites
Year: 2016
Genre: Slamming Brutal Death Metal
Country: United States (Massachusetts)
Format | Quality: mp3 | 320 kbps
Label: Pathos Productions
Setlist
1. Speed of the Strike 04:43
2. Relentless 03:59
3. For the Horde 04:40
4. Let Us Roam 03:56
5. Black Sails 04:54
6. Hymn of Hate 05:13
7. Appassionata 05:08
8. Death to Tyrants 04:43
9. Fire and Ice 06:10
Member :
Shannon - Bass
Masta Blasta - Drums
Nick - Guitars
Joe Vieira - Vocals, Guitars
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Exmortus - Ride Forth (2016)
Band: Exmortus
Album: Ride Forth
Year: 2016
Genre: Progressive Melodic Death Metal | Progressive Thrash Metal
Country: United States (Whittier, California)
Format | Quality: mp3 | 320 kbps
Label: Prosthetic Records
Setlist
1. Speed of the Strike 04:43
2. Relentless 03:59
3. For the Horde 04:40
4. Let Us Roam 03:56
5. Black Sails 04:54
6. Hymn of Hate 05:13
7. Appassionata 05:08
8. Death to Tyrants 04:43
9. Fire and Ice 06:10
Member :
Mario Mortus - Drums
Jadran "Conan" Gonzalez - Guitars, Vocals (Warbringer (live), ex-Rattlehead)
David Rivera - Guitars, Vocals
Mike Cosio - Bass (ex-Crushing Skulls, ex-Grotesque, ex-Abysmal Dawn, ex-Diminished 7, ex-Grave Desecration, ex-Savagery, ex-Sirion, ex-Excretion
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Hymenotomy - Some Necrophiles Having Sex With Naked Autopsied Bodies In The Morgue (2016)
Band: Hymenotomy
Album: Some Necrophiles Having Sex With Naked Autopsied Bodies In The Morgue
Year: 2016
Genre: Slamming Brutal Death Metal
Country: Estonia (Tallinn)
Format | Quality: mp3 | 320 kbps
Label: New Standard Elite
Setlist
1. Infected Penis Coprophiliac Deep Anal Penetration
2. Gigantic Dildo Constructed From Putrid Human Body Parts Stolen From A Local Cemetery
3. Some Necrophiles Having Sex With Naked Autopsied Bodies In The Morgue
4. Romantic Rape Fantasy About Pegging Your Grandfather With A Strap-On-Knife Dildo
5. Human Feces Collector
6. Stealing A Young Sexy Goat From An Angry Famer In Order To Have Sex With It While Unexpected Farmer Dismembers Your Body With A Blunt Machete
7. Orgasm Achieved By Disembowling Pregnant Women And Inserting Decapitated Fetuses Into Hair Anus
8. Erected Phallus Gets Fingered By Two Fat Horny Whores
9. Shitting The Rotten Entrails And Wormed Organs In A Public Bathroom
Member :
Are Kangus - Bass (Necro Strike, Nihilistikrypt, Uwe Boll)
Markus Saar - Drums, Vocals (Baalsebub, Nihilistikrypt, Süngehel)
Aivar Keermann - Guitars (Baalsebub, ex-Mortophilia)
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Aborted - Termination Redux (2016)
Band: Aborted
Album: Termination Redux
Year: 2016
Genre: Death Metal | Technical Death Metal
Country: Belgium (Beveren, East Flanders)
Format | Quality: mp3 | 320 kbps
Label: Century Media Records
Setlist
1. Liberate Me Ex-Inferis 00:31
2. Termination Redux 03:27
3. Vestal Disfigurement upon the Sacred Chantry 03:45
4. Bound in Acrimony 02:12
5. The Holocaust Re-Incarnate 05:22
Member :
Sven "Svencho" de Caluwé - Vocals (Bent Sea, Leng Tch'e (live), ex-Anal Torture, ex-System Divide, ex-They:Swarm, ex-Whorecore, ex-In-Quest
JB van der Wal - Bass (Herder, ex-Dr Doom, ex-Seizure, ex-Atrocity, ex-Leaves' Eyes
Ken Bedene - Drums (ex-Blood of Cain, ex-Fallon, ex-System Divide, ex-Abigail Williams, ex-Abysmal Dawn (live)
Mendel bij de Leij - Guitars (Escadron, Mendel, ex-Bloodline, ex-System Divide, ex-Edge of Anger, ex-Apace
Ian Jekelis - Guitars (ex-Abigail Williams, ex-Abysmal Dawn, ex-Artisan, ex-God Dethroned (live)
Review :
With the exception of a couple albums that succumbed to a bit too much of a -core inspiration, Aborted have maintained a largely consistent career as one of the most visible, productive forces in death metal, touring often and hitting hard with audiences that are impressed by their brutality, balance of technicality, and the high level modern production values they champion on their records. I myself have not felt a strong connection to their songwriting in years, the first three albums (Purity of Perversion, Engineering the Dead and Goremageddon) remaining my favorites, from times well before they had blown up the world over. There have been a few fun cuts since then, in particular on 2012's Global Flatline, and yet despite those 'high' contemporary standards of studio sound and riffing intensity they have set for themselves, I simply don't find much of their material all that absorbing.
It's not for lack of trying, because once the rather lame intro to Termination Redux subsides, they throttle you with scores of riff progressions over the four tracks and 15 minutes that channel everything from death and goregrind to the hook-drenched death-thrashing punch of the mid-era Carcass style that informed a lot of their older albums, as if it were siphoned through the high impact capacity of Napalm Death and the roiling grooves of Morbid Angel. Ceaselessly energetic drumming, brick shitting rhythm guitar tone that bursts directly into your face, and some kind of scientifically calculated ratio of blasts to double bass storms to breakdowns that were certainly plotted as blueprints to entertain both their purist brutal death following and the -core guys that are likely to see them on all manner of tours with their favorite bands. Plenty of intricacy in some of the rhythm guitars, but a topping of growls and rasps that feel 100% risk-less and towing the party line for most modern bands of this niche. The bass lines sound rich, fat and fantastic, whenever the drums and guitars aren't too busy to obscure them, and best used in the little atmospheric, spoken break in "Bound in Acrimony" which is among the more immersive moments on this short-player.
Where Termination Redux really doesn't do much for me is in its faster, blasted deathgrind sequences in which the chords selected, as forceful as they are performed, feel like any other banal band putting together the first 3-4 chords that come to mind and sound passable. The same could be said for the breakdown riffs. The notes here just don't stick to my brain, and I found that some of those more involved, mid-paced patterns were just so much more interesting that I wish they were prevalent over more of the run-time. The mix here is loud and engaging, but also super-clean, and thus nothing you haven't heard a hundred or so times already. The Belgians certainly don't lack for any testosterone, nor do they show any signs of slowing down after their 20+ years, and I think an audience that was heavily into the last two full-lengths (Global Flatline and The Necrotic Manifesto) will chew this right up, but I found only an ephemeral entertainment at best, here and gone in a flash of whirling limbs, a creature of structure and production, empty violence and exhibitional proficiency but not one of any sterner auditory dynamic or substance. You might stab someone in a shower to this today, but you won't be singing it in the shower tomorrow.
-autothrall
http://www.fromthedustreturned.com
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Marionette - Propaganda (2016)
Sweden Modern Melodic Death Metal
104 Mb
Setlist
1. Grey Masses Gather 07:16
2. Follow Me Down 05:17
3. Dö 06:33
4. Searching for the Frontline 04:52
5. Dirty and Free 07:15
6. What I've Seen 05:29
7. All You Are 08:38
Member :
Mikael Medin - Bass (2005-present)
Aron Parmerud - Guitars, Vocals (backing) (2005-present)
Linus Johansson - Keyboards (2005-present)
Anton Modig - Guitars (2008-present)
Alexander Andersson - Vocals (Eldrimner)
Jimmie Olausson - Drums (Engel )
Review :
-
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Anthrax - Spreading The Disease (30th Anniversary 2CD Deluxe Edition) (2015)
Thrash Metal
Mp3, 320 kbps (CD-Rip)
Setlist
CD1:
01. A.I.R. (5:45)
02. Lone Justice (4:38)
03. Madhouse (4:17)
04. Stand Or Fall (4:08)
05. The Enemy (5:24)
06. Aftershock (4:29)
07. Armed And Dangerous (5:43)
08. Medusa (4:44)
09. Gung-Ho (4:36)
10. Medusa (Joey Belladonna Demo) (4:45)
CD2:
01. A.I.R. (Live) (6:22)
02. Metal Thrashing Mad (Live) (2:49)
03. The Enemy (Live) (6:11)
04. Madhouse (Live) (3:58)
05. Howling Furies (Live) (4:02)
06. Armed And Dangerous (Live) (4:32)
07. Gung-Ho (Live) (6:09)
08. Soldiers Of Metal (Live) (2:58)
09. Lone Justice (1984 Rhythm Track Tape) (4:40)
10. Gung-Ho (1984 Rhythm Track Tape) (4:24)
11. Metal Thrashing Mad (1984 Rhythm Track Tape) (2:45)
12. Raise Hell (1984 Rhythm Track Tape) (3:57)
13. Stand Or Fall (1984 Rhythm Track Tape) (3:44)
14. Aftershock (1984 Rhythm Track Tape) (4:32)
15. Armed And Dangerous (1984 Rhythm Track Tape) (5:46)
16. Madhouse (1984 Rhythm Track Tape) (4:09)
17. The Enemy (1984 Rhythm Track Tape) (5:30)
Member :
Dan Spitz - Guitars
Scott Ian - Guitars
Frank Bello - Bass
Charlie Benante - Drums
Joey Belladonna - Vocals
Review :
"Young and free, something you'll never be!". The first lines of Anthrax's sophomore output resume the band's spirit back in the days very well. The East Coast thrash metal legend performs carefree songs full of enthusiasm without any compromises. Stylistically, the band sounds still much closer to the New Wave of British Heavy Metal than to the pitiless thrash metal between liberatingly humorous lyrics and socially critical statements on later outputs. The cool main riff of "Madhouse" could be taken from a Judas Priest record of the early eighties while the harmonious guitar play and the high pitched chorus of "S.S.C./Stand or Fall" have obvious Iron Maiden influences. New singer Joey Belladonna offers his most enthusiastic performance and isn't afraid of high notes or fast passages. His technical struggles here and there are outpowered by his charming juvenile spirit. The tight rhythm section of bass guitar and drums harmonizes well and grooves, pushes and rushes us through nine vivid tracks. The guitar work is extraordinary as one can hear both tight heavy metal riffs and orgasmic melodic high-speed guitar solos in all tracks of this fun ride.
Despite numerous influences from other bands, Anthrax always manages to add a surprising note to each song and keeps a high degree of original diversity without losing the carefree guiding line. Especially the opening moments of most tracks are courageous, entertaining and original. The humorous radioplay overture of the charismatic "Madhouse" reminds me of the thought provoking drama One Flew Over the Cuckoo's Nest. The acoustic guitar opening of "S.S.C./Stand or Fall" almost recalls traditional flamenco influences. The drum play and sound effects in the beginning of "The Enemy" make almost any metal fan play air drums and bang his head. The folk infused sounds in the beginning of "Armed and Dangerous" that are carried on by appeasing acoustic guitars and heartbreaking electric guitar solos are atmospheric and progressive but nevertheless related to classic heavy metal. This is one of the most melodic and also outthought tracks ever written by the band. On the other side, Anthrax closes the record with its fastest song ever which is the chaotic and humorous "Gung Ho" where all instruments break loose towards the intentionally random ending.
There are only two songs I enjoy a little bit less on an otherwise incredibly strong output somewhere between classic heavy metal, American power and thrash metal and a small dose of hardcore punk. "Aftershock" has some interesting lyrics and can be seen as a hint at more politically inspired texts to come from the band but the chorus lacks energy and originality and the usually emotional guitar solos on this record are missing on this tune. "Medusa" is slightly better because of a solid heavy metal main riff and a great melodic vocal performance in the verses but the slightly psychedelic and noisy chorus is rather off-putting and plain weird as it doesn't fit at all to the rest of the song. If these two tracks weren't on the record, it would maybe be the best American heavy and power metal album of all times. Despite these two average tunes, this album still is a classic must have for fans of the aforementioned genres.
There is only one thing left to talk about. I would like to know what happened to Mister Brown. The mentally disabled patient welcomes his medicine with hysterical laughter in the beginning of "Madhouse" and one can hear him again during the chaotic and liberating party that is going on during "Gung Ho". Maybe he was able to escape from the madhouse as one can hear him again in another crowd during the performance of "Bud E Luv Bomb and Satan's Lounge Band", a b-side of the band's third record. As far as I know, he was never heard of again after his appearance during this crazy concert with a couple of drunkards in a social club. What happened to Mister Brown? I hope this secret will get revealed one day and that we might hear of him again on Anthrax's next studio record.
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Suffocation - Effigy Of The Forgotten + Pierced From Within (2CD Remastered, 2003)
Technical Brutal Death Metal
Mp3, 320 kbps (CD-Rip)
Setlist
CD1:
Effigy Of The Forgotten
01. Liege Of Inveracity
02. Effigy Of The Forgotten
03. Infecting The Crypts
04. Seeds Of The Suffering
05. Habitual Infamy
06. Reincremation
07. Mass Obliteration
08. Involuntary Slaughter
09. Jesus Wept
CD2:
Pierced From Within
01. Pierced From Within
02. Thrones Of Blood
03. Depths Of Depravity
04. Suspended In Tribulation
05. Torn Into Enthrallment
06. The Invoking
07. Synthetically Revived
08. Brood Of Hatred
09. Breeding The Spawn
Member :
-
Review :
-
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CD 1
CD 2
